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[CHEERING AND APPLAUSE] SPEAKER 1: Hi, I'm Katie. I'm President of Shadows Dance Troupe.
SPEAKER 2: Hi, I'm Spencer. I'm Vice President.
SPEAKER 3: Hi, I'm Amanda, and I'm the PR and marketing chair.
SPEAKER 4: Hi, everyone. I'm Zoe, and I'm the treasurer.
SPEAKER 1: Welcome to Fall Step, Cornell's largest dance collective.
SPEAKER 2: We want to thank Bailey Hall all of our guest performers for making this show possible tonight.
SPEAKER 3: A year ago, we had no idea that this show would be possible again, so we're so excited to be back on Bailey Hall stage.
SPEAKER 4: And to anyone who it may concern, there will be strobe lights at different points during the performance. But thank you guys all so much, and enjoy the shown.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - MEDUZE, "PARADISE"]
MEDUZE: (SINGING) Mm-mmm. Mm-mmm.
In the fading light, hearts collide. Shadows dance in the distance. Something just ain't right. I'm cold inside. Help me find what I'm missing.
We're all scared to fly. Still we try. Learn to be brave. See the other side. Won't you lead me there. Have no fear. Close your eyes. Find paradise.
Oh my, my, my. There's a thousand miles between you and I. Oh my, my, my. Just a thousand miles between me and Paradise.
Oh my, my, my. There's a thousand miles between you and I. Oh my, my, my. Just a thousand miles between me and paradise.
Oh, oh. my, my, my. Oh, oh, my, my, my. Oh, oh, my, my, my. A thousand miles between me and paradise.
When the dark has gone, the morning's won. We're going to feel something different. It will set you free. If you just tell me every secret, I'll listen.
We're all scared to fly. Still we try. Learn to be brave. See the other side. Won't you lead me there? Have no fear. Close your eyes. Find paradise. Paradise. Paradise. Close your eyes. Find Paradise. Paradise. Paradise. Close your eyes. Find para--
Oh, my, my, my. There's thousand miles between you and I. Oh, my, my. Just a thousand miles between me and paradise. Oh, oh, my, my, my. Oh, oh, my, my, my. Oh, oh, my, my, my. Just a thousand miles between me and paradise.
[CHEERING AND APPLAUSE]
SPEAKER 5: How dare you, Mr. Spears? You had me fooled. And you too, Mrs. Spears. Death to all of them.
[GASPING]
BRITNEY SPEARS: (SINGING) It's Britney, bitch.
[MUSIC PLAYING - BRITNEY SPEARS, "GIMME MORE"]
I see you. And I just wanna dance with you. [LAUGHS]
Feels like a crowd is saying, gimme, gimme more. Gimme more. Gimme, gimme more. Gimme, gimme more. Gimme more. Gimme, gimme more.
[MUSIC PLAYING - BRITNEY SPEARS, "IF U SEEK AMY"]
Love me, hate me, so what you want about me, but all of the boys and all of the girls are begging to if you seek Amy. Love me, hate me, but can't you see what I see? All of the boys and all the girls are begging to if you seek Amy.
[MUSIC PLAYING - BRITNEY SPEARS, "WOMANIZER"]
Super star. Where you from? How's it going? I know you got a clue what you're doing. You can brand new to all the other chicks out hear, but I know what you are, what you are, baby.
[MUSIC - BRITNEY SPEARS, "I WANNA GO"]
Shame on me. To need release. Uncontrollably.
I wanna go all the way. Taking out my freak tonight. I wanna show, all the dirt I got running through my mind. Whoa.
[MUSIC PLAYING - BRITNEY SPEARS, "CIRCUS"]
All eyes on me in the center of the ring just like a circus. When crack that whip everybody gonna trip just like a circus. Don't stand there watching me. Follow me. Show me what you can do. Everybody let go. We can make a dance floor just like a circus.
[MUSIC PLAYING - BRITNEY SPEARS, "WORK BITCH"]
You want a hot body? You want a Bugatti? You want a Maserati? You better work, bitch. You wanna live fancy? Live in a big mansion? Party in France? You better work, bitch. You better work, bitch. You better work, bitch. You better work, bitch. You better work, bitch.
You better work, bitch.
[CHEERING AND APPLAUSE]
LIZZO: (SINGING) I'm crying because I love you.
[MUSIC PLAYING - LIZZO, "CUZ I LOVE YOU"]
Never been in love before. What the are feelings, yo? Once upon a time, I was a ho. I don't even want to ho no more. Got you something from the liquor store. Little bit of LIzzo and some more. Trying to open up a little more. Sorry if my heart a little slow.
I thought that I didn't care. I thought I was love-impaired, but, baby, baby, I don't know what I'm gonna do. I'm crying because I love you. Yes, you. Ya, ya. Ya, ya.
Got me standing in the rain. Got to get my hair pressed again. I would do it for you all, my friend. Ready, baby? Will you be my man? Want to put you on the plane. Fly you out to wherever I am. Kept you on the low. I was ashamed. Now I'm crazy, about to attach your name.
I thought that I didn't care. I thought I was love-impaired, but baby, oh baby, I don't what I'm gonna do. I'm crying because love you. Yeah. I'm crying.
I thought that I didn't care. I thought I was love-impaired. But baby, baby, I don't know what I'm gonna do. I'm crying because I love you. Yes, you. I'm crying. I'm crying. I'm crying. Oh.
I'm crying because I love you.
[CHEERING AND APPLAUSE]
[TRAFFIC NOISES]
[MUSIC PLAYING - CLYDE CARSON, "SLOW DOWN"]
CLYDE CARSON: (SINGING) I tell them, slow down. You know you can't catch me. I'm all too fast on the gas. Don't chase me. Slow down. Slow down. I tell them, slow down. You know you can't catch me. I'm all too fast on the gas. Don't chase me. Slow down. Slow down.
I tell them, ay, I'm on the case getting sideways. Dollar for five on the highway. You know a nigga state to state on a dolo mission. I got a date with the cake. Wide awoke. 3:00 AM. Probably touch down when the sun come in. Ay, when them guards hit the gate, I be tired as fuck after that eight-hour race.
I come from the land where we swing our cars. Figure eight Benz, concrete leave marks. Call it paid. Supercharged. Back to back, race the Benz with the four-door Porsche. I'm tearing up tires with this luxury. Hella smoke says she wanna fuck with me. Money on my mind. Ain't nothing for free. Trying to keep up with me, but it's nothing to me.
I tell them, slow down. You know you can't touch me. I'm all too fast on the gas. Don't chase me. Slow down. Good money. Slow down. I tell them, slow down. You know you can't catch me. I'm all too fast on the gas. Don't chase me. Slow down. You know you can't catch me. Slow down. You know you can't catch me.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - METRO BOOMIN AND OFFSET, "RIC FLAIR DRIP"]
[CHEERING]
METRO BOOMIN AND OFFSET: (SINGING) Metro boomin. I want some more, nigga. Going to the jeweler, but the AP, yeah. Sliding on the water like a jet-ski, yeah. I'm trying to fuck you and your bestie, yeah. Chopper with the scope, so do not test me, yeah. Ric Flair drop go, "woo," on a bitch. 57/90 split the coupe on my wrist. Multi-million dollar, I'm a fool with the hits. Hop up in the Lamb, and drop the roof, show the tits.
Popping, but really not gonna shoot. 90 pointers style, my diamonds look like hula hoops. Hopping in my Bentayga, and the seat is a masseuse. Balenciaga, check my posture, Valentino boots.
It's the Boominati way, a lot of Lambs, a lot of Wraiths. Never hesitate to give a nigga yellow tape. Ain't worried about the bag because the cash accumulate. Soon as we came in the game, all these niggas, they imitate.
Put my mind on it, then I put my grind on it. Put the iron on it, if a nigga my opponent. My car 500, and I don't put no miles on it. I was running around, homie, with $500,000 on me.
Going to the jeweler, bust that AP, yeah. Flying on the water like a jet-ski, yeah. I'm trying to fuck you and your bestie, yeah. Chopper with the scope, so do not test me, yeah. Ric Flair drip go, "woo," on a bitch. 57/90 split the coupe on my wrist. Multi-million dollar, I'm a fool with the hits. Hop up in the Lamb, and rop the roof, show the tits.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - CONAN GRAY, "ASTRONOMY"]
CONAN GRAY: (SINGING) We drive through the woods, rich neighborhoods to watch. We joked as we looked that they were too good for us. Because socially speaking, we were the same with runaway fathers and mothers who drank. A tale old as time. Young love don't last for life.
And now I know, now I know. It's time to go. It's time to go.
For we've traveled the seas. We've ridden the stars. We've seen everything from Saturn to Mars. As much as it seems like you own my heart, it's astronomy. We're two worlds apart.
We're two worlds apart.
We're two worlds apart.
Stop trying to keep us alive. You're pointing to stars in the sky that already died. Stop trying to keep us alive. You can't force the stars to align when they've already died.
Oh, we've died. Ooh.
Oh, we've traveled the seas. We've ridden the stars. We've seen everything from Saturn to Mars. As much as it seems like you own my heart, it's astronomy. We're two worlds apart.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING]
SPEAKER 6: (SINGING) All of the nights.
[NON-ENGLISH SINGING]
SPEAKER 7: Is there a doctor in the house?
[NON-ENGLISH SINGING]
SPEAKER 8: (SINGING) Don't you open up that window.
[NON-ENGLISH SINGING]
SPEAKER 9: (SINGING) I get those goosebumps every time.
[NON-ENGLISH SINGING]
DRAKE: (SINGING) I got enemies, got a lot of enemies, got a lot of people trying to drain me of my energy.
[NON-ENGLISH SINGING]
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - MUMFORD AND SONS, "THERE WILL BE TIME"]
[NON-ENGLISH SINGING]
MUMFORD AND SONS: (SINGING) In the cold light I live to love and adore you. It's all that I am. It's all that I have. In the cold light I live, I only live for you. It's that I am. It's all all that I have.
So open up my eyes to a new light. I wandered around your darkened land all night. But I lift up my eyes to a new high, and indeed there would be time.
In the cold light, I live to love and adore you. It's all that I am. It's all that I have. In the cold light I live, I'll only live for you. It's all that I am, it's all that I have.
In the cold light I live to love and adore you. It's all that I am. It's all that I have. In the cold light I live, to love and adore you. It's all that I am. It's all that I have. Why do I keep falling? Why do I keep falling?
[MUSIC PLAYING - CHO, "POPALIK"]
[NON-ENGLISH SINGING]
SPEAKER 10: (SINGING) On my way to steal your girl.
On my way to steal--
SPEAKER 11: Action.
[NON-ENGLISH SINGING]
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - MATT CORBY, "BROTHER"]
MATT CORBY: (SINGING) Ooh. Ooh. Ooh. Oh.
Ooh. Ooh. Ooh.
Sleep now under my skin. Make sure you'll try to conjure the wind and ease my mind.
Ooh. Ooh. Oh.
Ooh. Ooh. Ooh.
Somebody call out to your brother. He's calling out your name. Oh, oh. Hiding under the covers with no one else to blame. Oh, oh. You couldn't help out your own neighbor. You couldn't tell it to his face. You were fucked up by the blame.
You cower In the corner, confide in your father. Let it out and say. You cower in the corner, confide in your father. Let it break your day. Let it out and say.
Wait there. Pull yourself out of this state, dear. Acknowledge you were a fake here. From there on you might just grow. Oh, oh.
Somebody call out to your brother. He's calling out your name. Oh, oh. Hiding under the covers with no one else to blame. Oh, oh. Oh, you couldn't help out your own neighbor. You couldn't tell it to his face. You were fucked up by the blame.
[CHEERING AND APPLAUSE]
SPEAKER 12: Hi, everyone. My name is Katie. This is [? Lala, ?] and this is Sharon, and we're the three juniors on Shadows this year. And we just wanted to take a minute to send all of our love and appreciation to our amazing, amazing seniors. One of them is at home right now, so we're actually going to start with her speech.
SPEAKER 13: Yeah. So unfortunately, Yasmin is not with us this performance, so I'm just going to be giving her senior speech. So yeah, excuse the phone.
Yasmin, my partner in difficult to pronounce names, we are so lucky to have met you this year and have you join the team. One of my biggest sadness closing the show is how little time we got to dance together as fun as it was.
So as I said, Yasmin is unfortunately not on stage with us this Fall Step, but, if she had been, we would have shined all the brighter. Obviously she's an amazing dancer, but she's also an incredibly caring friend who is always there for us, lighting up the room when everyone is stressed and depressed.
Even when she was down with viral bronchitis, she constantly checked up on me to ask about my injuries. Like girl, take care of yourself for a hot minute. This was my first Fall Step, and, even if I didn't get to dance with you, I am so glad to have prepared with you, and I will remember it with you. Love you, queen.
[APPLAUSE]
SPEAKER 12: OK, and now we have one for Amanda. On my first day of practice at Shadows, I remember thinking Amanda was just about the coolest person on the planet. And I was very, very right about that.
She is the fashion icon of her team. She definitely picked out this outfit, if I had to guess, and she has done such an incredible job on all of our promo for this year.
She is someone we can always, always count on to go full out, hence why she is so incredible in all of our dances. And I know I will miss the energy that you always bring to everything that you do. We love you so, so much, and thank you for everything.
[CHEERING AND APPLAUSE]
SPEAKER 14: Hi, I'm Sharon. This is for Spencer. So, Spency, [LAUGHS] to our bendy queen and apparel icon, Shadows is going to miss you and your amazing leaps, choreography, and styling advice.
For those of you who don't know Spencer, she sews every single one of our costumes. She designs all of our apparel. She's the only person who can do any of the designated lifts in any of our dances.
From my first semester on campus, Spencer has guided me through choosing which dance group to audition for, which fashion class to take, how to do spots for my dance, which costume to wear, you name it.
And I know that next Fall Step, she will just be a call away from all of us. For one of the tiniest and quietest people in the room, you sure have made a huge impact on the legacy of Shadows. We love you so much.
[CHEERING AND APPLAUSE]
SPEAKER 13: Yay, back to me. Queen, goddess, icon, Zoe, my girl crush every day. Despite being at Shadows with you since freshman year, this is the first Fall Step that I've been able to dance with you, and I'm so happy to have this opportunity before you graduate.
From doing abs in the changing room to freaking out over choreographies-- you know exactly which one I'm talking about [LAUGHS] -- some of my most precious moments this Fall Step and in general have been with you.
You improve the atmosphere with your liveliness and spread good vibes everywhere. I love you so much, and I'm so lucky to have you as a friend. We are so lucky to have you as a teammate on this team. Whenever we're stressed-- I'm just going to keep going, sorry guys [LAUGHS] -- you just make the room so much happier, and you just brighten up our lives. So love you so much.
SPEAKER 14: I need to add something.
SPEAKER 13: Wait, yes.
SPEAKER 14: This girl is Vine famous, by the way. She's Vine famous.
SPEAKER 13: She's a TikTok star. We love her.
SPEAKER 12: And last but absolutely not least is Katie.
[CHEERING AND APPLAUSE]
Katie's passion for dance and for this team is essentially unmatched. You really hold us together, not only as our president but also as an incredible choreographer as you all saw and the best driver to and from practice ever. Our car chats after practice make my night every time we do them, and I'm going to miss you so much next year.
You really did an amazing job of bringing us all back together, and this absolutely could not have happened without you. I am very, very lucky to have you as a friend, and I know I speak for everyone when I say, we love you, and we will miss you so, so much. Thank you for everything.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - BRENNA WHITAKER, "BLACK AND GOLD"]
SPEAKER 15: Behold, the secrets of nature's deepest mystery, man turns animal for pleasures of women. And men.
BRENNA WHITAKER: (SINGING) If the fish swam out of the ocean and grew legs, and they started walking. And the apes climbed down from the trees and grew tall, and they started talking.
And the stars fell out of the sky, and my tears rolled into the ocean. And now I'm looking for a reason why you even set my world into motion.
If you're not really there, I don't want to be either. I want to get next to you. Black and gold. Black and gold. Black and gold.
I look up into the night sky. I see a thousand eyes staring back. And all around these golden beacons, I see nothing but black. I feel the weight of something beyond them. I don't see what I could feel. If vision is my only validation, then most of my life isn't real.
If you're not really here, I don't want to be either. I want to get next to you.
I look up into the night sky. I see a thousand eyes made of steel, and all around these golden beacons, most of my life isn't real.
If you're not really here, I don't want to be either. I want to get next to you. Black and gold. Black and gold.
Black and gold.
[CHEERING AND APPLAUSE]
BEYONCÉ: (SINGING) Goddamn, goddamn, goddamn! Sing it, sing it in the air.
[MUSIC PLAYING - BEYONCÉ, "7/11"]
I know you care.
Smack it, smack it. Smack it, smack it. In the air.
Wave your hands side to side. Put it in the air. Clap, clap, clap like you don't care. Clap, clap like you don't care. I know you care. Clap it, clap it.
Foot up, my foot up. Hold up, now my foot up. I'm spinning my foot up, foot up, yeah, my foot up. I'm spinning my foot up. Put my foot down, yeah, my hands up.
Hold that cup like alcohol. Hold that cup like alcohol. Hold that cup like alcohol. Don't you drop that alcohol. Never drop that alcohol. Never drop that alcohol. I know I'm thinking about alcohol. I know I'm thinking about that alcohol.
Man, this feels like rolling dice. Man, this feels like rolling dice. Seven, 11, seven 11, seven twice, man, seven twice.
Man this feels like rolling dice. Man, this feels like rolling dice. Man, this feels like rolling dice. Seven twice, seven twice.
Man, I'm trying to kick it with you. Man, I want to kick it with you. Man, I want to kick it with you. I spin around, and I kick it with you.
Shoulders sideways, smack it, smack it in the air. Legs moving side to side. Smack it in the air. Legs moving side to side, smack it in the air. Shoulders moving side to side. Smack it in the air. Smack it in the air. Smack it, smack it in the air. Smack it in the air. Smack it. I know you care.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING]
[NON-ENGLISH SINGING]
[CHEERING AND APPLAUSE]
[CHANTING]
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - DUFFY, "MERCY"]
DUFFY: (SINGING) Hit the beat and take it to the verse now. Yeah, yeah, yeah. Yeah, yeah, yeah.
I love you, but I got to stay true. My morals got me on my knees. I'm begging, please, stop playing games.
I don't know what you do, but you do it well. I'm under your spell.
You got me begging you for mercy. Why won't you release me? You got me begging me for mercy. Why wont you release me? I said, release me.
Now you think that I will be something on the side, but you got to understand that I need a man who can take my hand. Yes, I'm told, I don't know what this is, but you've got me good just like you knew you would. I don't know what you do, but you do it well. I'm under your spell.
I'm begging you for mercy. Yes, why won't you release me? I'm begging you for mercy. You've got me begging. You've got me begging. You've got me begging.
Mercy. Why won't you release me? I'm begging you for mercy. Why won't you release me? You've got me begging you for mercy. Yeah.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - JOME, "CINNAMON"]
JOME: (SINGING) Evergreens in a dream of an island town. Draw a line in the sand, and we'll smooth it down. Will your side win? Get to the middle Count them off one at a time. And we'll try to guess right.
Waking in the white sun, lights out. Waiting through the days in, nights out. It's a slow cinnamon summer. Your spell is pulling me under.
Rowing in a wooded hollow. Showing me the moves to follow. It's a slow, cinnamon summer. Your spell's pulling me under.
It's a hand on the ground that's around for an hour of hope. It disappears as the sea takes it in and swallows it whole. And just as it leaves, just as it's sinking, the morning will save our souls from too cold to keep warm.
Waking in the white sun, lights out. Waiting through the days in, nights out. It's a slow cinnamon summer. Your spell's pulling me under. Waking in the white sun, lights out. Waiting through the days in, nights out. It's a slow, cinnamon summer. Your spell's pulling me under. Rowing in a wooded hollow, showing me the moves to follow. It's a slow, cinnamon summer. Your spell's pulling me under.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING]
[INAUDIBLE SINGING]
[MUSIC PLAYING - ALEC KING, "FUCK WOW HOLY SHIT"]
- Fuck, wow, holy shit. Said it was my year, maybe it still is. Picking up my phone, like who's this? Please, stop calling. Got to let me live. Fuck, wow, holy shit. Said it was my year, maybe it still is. Picking up my phone like, who's this? Please, stop calling. Got to let me live.
I been sitting by the fire while she's rolling up a blunt. I can see that ass shake when I hit it from the front. Yeah, I wasn't going to eat it, but I haven't had lunch. If Corona doesn't kill me, I might really wife her up.
Ay, fuck wow, holy shit. Watch her hit them poses. Legs up, spread them. Got me feeling like I'm Moses. Oh shit, my eyes are always open.
Fuck wow, holy shit. Said it was my year. Maybe it still is. Picking up my phone, like, who's this? Please, stop calling. Got to let me live. Fuck wow, holy shit. Said it was my year. Maybe it still is. Picking up my phone, like, who's this? Please, stop calling. Got to let me live.
Girls too hot. Got no choice. Front side, back side, front side, backboard. Only three letters to describe this. Fuck, wow, holy shit.
[MUSIC PLAYING - DRAKE, "BEST I EVER HAD"]
DRAKE: (SINGING) You know a lot of girls be thinking my songs are about them. This is not to get confused. This one's for you.
Know you got a roommate. Call me when there's no one there. Put the key under the mat, and you know I'll be over there. I'll be over there. Shortly, I'll be over there. I'll be hitting all the spots that you ain't even know was there.
And you don't even have to ask twice. You can have my heart, or we could share like the last slice. Always felt like you were so accustomed to the fast life. Have a nigga thinking that he met you in a past life.
Sweatpants, hair tied, chilling with no makeup on. That's when you're the prettiest. I hope that you don't take it wrong. You don't even trip when friends say, "you ain't bringing Drake along?" You know that I'm working. I'll be there soon as I make it home.
And she a patient in my waiting room. Never pay attention to the rumors and what they assume. And until them girls prove it, I'm the one that never get confused with.
Because baby, you're my everything. You're all I ever wanted. We could do it real big. Bigger than you've ever done it. You be up on everything. Other hoes ain't ever on it. I want this forever. I swear I can spend whatever on it.
Because she holds me down every time I hit her up. When I get right, I promise that we're going to live it up. She made me beg for it until she gives it up. And I say the same thing every single time.
I say you're the fucking best. You're the fucking best. You're the fucking best. You're the fucking best. You're the best I ever had. The best I ever had. The best I ever had. The best I ever had. I you're the fucking--
[MUSIC PLAYING - BROCK HAMPTON, "I'LL TAKE YOU ON"]
BROCK HAMPTON: (SINGING) I'll take you on if you give me the time. And then all at once I don't wanna to say goodbye. Goodbye. Goodbye.
Drug dealer, somebody that's going to heal her. Make her change her ways like nobody would believe her. She wants a drug dealer, somebody that's going to heal her. Make her change her ways like nobody would believe her.
I need you by my side every day, every night. If your love is true then just prove that it's right. No matter what you do, I need you in my life. Baby, let's do it right. Baby, let's do it right.
I'll take you on if you give me the time. And then all at once, I don't want to kiss you goodbye. Goodbye. Goodbye.
I'll take you on if you give me the time. And then all at once, I don't want to kiss you goodbye. Goodbye. Goodbye.
[CHEERING AND APPLAUSE]
SPEAKER 1: Hi, everyone. Just wanted to take a second to thank you all for coming and thank all of our guests performers and Bailey for making this show possible. This is our last piece, so sit back and enjoy.
[CHEERING AND APPLAUSE]
[MUSIC PLAYING - JENNIFER LOPEZ, "ON THE FLOOR"]
JENNIFER LOPEZ: (SINGING) J-Lo. [NON-ENGLISH SPEECH] It's a generation. Mr. Worldwide. Of party people. Get on the floor. Dale, get on the floor. Red one.
Let me introduce you to my party people in the club. I'm loose, loose, and everybody knows I get off the chain. Don't get it confused, no, because you will lose, yeah. Now pu-pu-pump it up and back it up like a Tonka truck.
[MUSIC PLAYING - JENNIFER LOPEZ, "AIN"T YOUR MAMA"]
I'm too good for that. I'm too good for that. Just remember that.
[MUSIC PLAYING - JENNIFER LOPEZ, "DINERO"]
Me and Benjamin Franco stay at the banco, getting checks like Nike everywhere that I go. I should be cuffed though because I don't do singles. In love with the money, so no need to mingle.
Just back it up. Hot talk, yeah, back it up. Holler at that if you're acting up. You ain't got that. You can't sit with us. Yeah.
Designer frames make you double take. Ben and Andy on a double date. Grant just hit me, said he's on the way.
[NON-ENGLISH SINGING]
I just want the green, want the money, want the cash flow.
[NON-ENGLISH SINGING]
[MUSIC PLAYING - JENNIFER LOPEZ, "DANCE AGAIN"]
Cardi B.
Look. If this would be a perfect world, we'd be together. Let's do it, do it, do it. Only got just one life. This I've learned. Who cares what they're gonna say? I want to dance and love and dance again. I want to dance and love and dance again.
[MUSIC PLAYING - JENNIFER LOPEZ, "AIN'T YOUR MAMA"]
We used to be crazy in love. Can we go back to how it was? When did you get too comfortable? I'm too good for that. I'm too good for that. I'm too good for that. I'm too good for that. I'm too good for that. I'm too good. I'm too good. I'm too good. Just remember that.
[MUSIC PLAYING - JENNIFER LOPEZ, "LET'S GET LOUD"]
Hey. Hey, hey.
[NON-ENGLISH SINGING]
Let's get loud. Let's get loud. Turn the music up to hear the sound. Let's get loud. Ain't nobody got to tell you what you got to do. Hey, hey.
Let's get loud.
[CHEERING AND APPLAUSE]
Fall Step is Cornell’s largest dance collective hosted by Shadows Dance Troupe and will feature Base Productions, Cornell Bhangra, BreakFree, Impact, Rise Dance Group, Assorted Aces, Big Red Raas, Pandora, and On Tap Dance Troupe!
