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[MUSIC - DEJ LOAF - "NO FEAR"] (SINGING) Even though I live my life on the road doesn't mean I don't have time for you. Plenty have tried, almost came close, but none of them compare to you. So let's live our life more that one night. Promise if I could, I'd do it twice.
So what you say? Put 'em on pause. Press play. Hold on, I got more to say.
I know my life can get so crazy, but as long as you're right here, none of the gossip, nothing can stop us. I wanna love you with no fears--
NARHEE KIM: Good evening, everyone, and welcome to the Cornell Fashion Collective's 35th annual runway show. My name is Narhee Kim, and I am so honored to have served as COC's president this year. The Cornell Fashion Collective was founded in 1984 by two design students, Onslo Carrington and Laura Russell in a small ballroom in Willard Straight Hall. Three decades later, this student-run organization produces one of the largest events across campus.
As an applied economics and management major outside of the traditional fiber science and apparel design major, I am incredibly honored and thankful for the chance to be leading this amazing group of designers and management members. Over the years, I have been incredibly inspired by and proud of the hard work of our designers that make this production possible. After months of long nights in the studio, it is an honor to showcase the incredible and diverse talent tonight. I am now delighted to introduce our VP of Graphics, Caley Droof and our VPO of Designers and Models, Joyce Bao.
[APPLAUSE]
CALEY DROOFF: This incredible production would not have come to fruition without the hard work and dedication of every member and our executive board. It is my honor to introduce them-- Livia Caligor, VP of Strategic Operations and Planning, Bailey Willet, VP of Logistics, Peter Sanderson, VP of finance, James Patten, VP of Management, Eliana Rozinov, VP of Public Relations, Grace Anderson, Creative Coordinator, Katherine Williams, Design Coordinator, Sophie Wang, Secretary.
JOYCE BAO: We are so thankful for our faculty advisor, Professor Shin, who has always been supportive and devoted to the success of this organization. We would also like to thank Emily [INAUDIBLE], Karen Steffy, and fiber science and apparel design department for their hard work and dedication in support of this club. Kimberly Phoenix, thank you for your constant assistance to and encouragement of our vision. We would like to extend our appreciation to our wonderful members for their commitment and tenacious efforts.
CALEY DROOFF: We would like to express our thanks to Branchini Sound, Incorporated of Ithaca, as well as Visual Technologies. We are so deeply appreciative of the Barton Hall facilities team and all of their help in addition to the Cornell University administration and College of Human Ecology faculty for their support. We would like to extend a special thanks to Dean Dunifan for her support.
[APPLAUSE]
And we are extremely grateful for Thread Magazine's work on highlighting our designers and seniors, both in our pre-show video and senior booklet.
[APPLAUSE]
NARHEE KIM: We would also like to express our gratitude to the companies that sponsored our production this year, Informa and [? Malia ?] [? Mills. ?]
SPEAKER: Additionally, we owe many thanks to the vital support of our local community that helped bring our vision to reality. We would like to express our gratitude to our generous local sponsors, the incredible Cornell costume and textile collection, Chatty Cathy Coffee and Juice, Ithaca Wine and Spirits, Thompson and Bleecker, Ithaca Bakery, and the one only Collegetown Bagels.
[APPLAUSE]
We would also like to acknowledge the vast array of collaborators that promoted CFC leading up to our event. [? Con ?] [? Apparel, ?] Cornell Thrift, and Thrift Reuse and Recycle for co-hosting our annual pop-up thrift store, Level B Lounge for promoting our production, Manndible's Cafe for offering a special edition [? Hot ?] [? Coco ?] [? Chanel, ?] Chatty Cathy for offering a special edition Breakfast at Tiffany's smoothie and acai bowl, and our speakers who supporter our Fashion Week promotion.
[APPLAUSE]
JOYCE BAO: Please know that emergency exits are located behind you and to the right, left, and center of the bleachers. In the event of an emergency or fire alarm, please proceed quickly and calmly to the nearest emergency exit. Before the show begins, if you could please silence your cell phones.
NARHEE KIM: We would also like to thank our DJ, Ian, for graciously opening our 35th annual runway show. We would now like to pass the microphone to our master of ceremonies for the third year in the row, the lovely and talented Paul Russell, a senior in the School of Industrial and Labor Relations. Welcome to the Cornell Fashion Collective.
[APPLAUSE]
PAUL RUSSELL: 3-- Eliza Lesser.
[CHEERING]
[MUSIC - XXXTENTACION - "WHOA (MIND IN AWE)"]
(SINGING) I was like whoa-oh-oh, whoa-oh-oh, whoa-whoa-oh, whoa-oh-oh. And I was like whoa-whoa-oh, whoa-oh-oh, whoa-whoa-oh, whoa-oh-whoa-whoa-whoa. Whoa-oh-whoa.
And I was like whoa-oh-oh, whoa-oh-oh, whoa-whoa-oh, whoa-oh-whoa-whoa-whoa. And I was like whoa-oh-oh, whoa-oh-oh, whoa-whoa-oh, whoa-oh-whoa-whoa-whoa. Whoa-oh-whoa.
And I was like whoa-oh-oh, whoa-oh-oh, whoa-whoa-oh, whoa-oh-whoa-whoa-whoa. And I was like whoa-oh-oh, whoa-oh-oh, whoa-whoa-oh, whoa-oh-whoa-whoa-whoa. Whoa-oh-whoa.
And I was like whoa-oh-oh, whoa-oh-oh, whoa-whoa-oh, whoa-oh-whoa-whoa-whoa.
[APPLAUSE]
Hansika Ayer.
[APPLAUSE]
[MUSIC PLAYING]
[MUSIC - KANYE WEST FEATURING JAMIE FOXX - "GOLD DIGGER"]
(SINGING) She take my money when I'm in need. Yeah, she's a triflin' friend indeed.
Oh, now, I ain't saying she a gold digger, but she ain't messin with no broke-- broke. Now, I saying she a gold digger, but she ain't messing with no broke-- broke.
Get down, girl, go 'head, get down. Get down, girl, go 'head, get down. Get down, girl, go 'head, get down.
Serena, Trina, Jennifer Lopez, four kids and I gotta take all the bad-- get your kids, but then they got their friends. I pulled up in the Benz. They all got a plan. We all went to din', and then I had to pay. If you [MUTED] with this girl, then you better get paid. You know why? It take too much to touch her. From what I heard, she got a baby by Busta. My best friend said she used to [MUTED] with Usher. I don't care what none of y'all say, I still love her.
Now, I ain't saying she a gold digger, but she ain't messing with no broke-- broke. Now, I ain't saying she a gold digger, but she ain't messing with no broke-- broke.
Get down, girl, go 'head, get down. Get down, girl, go 'head, get down. Get down, go 'head, get down. Get down, girl, go 'head.
18 years, 18 years-- she got one of your kids, got you for 18 years. I know somebody payin' child support for one of his kids. His baby mama car and crib is bigger than his. You will see him on TV any given Sunday. Win the Super Bowl and drive off in a Hyundai. She was supposed to buy your shorty Tyco with your money. She went to the doctor, got lipo with your money.
She walking around lookin' like Michael with your money. Shoulda got that insured-- Geico for your money. If you ain't no punk, holla we want prenup! We want prenup! Yeah! It's somethin' that you need to have cuz when she leave your [MUTED], she gon' leave with half. 18 years, 18 years, and on the 18th birthday, he found out it wasn't his.
Now, I ain't saying she a gold digger, but she ain't messing with no broke-- broke. Now, I ain't saying she a gold digger, but she ain't messing with no broke-- broke.
Get down, girl, go 'head, get donw. Get down, girl, go 'head, get down. Get down, girl, go 'head get down. Get down, girl, go 'head.
Now, I ain't saying you a gold digger, you got needs. You don't want a dude to smoke, but you can't roll up your sleeves. But while y'all watching, he gon' make it to Benz out of that Datsun. He got that ambition, baby. Look at his eyes. This week he mopping floors. Next week it's the frries, so stick by his side. I know there's dudes ballin', and yeah, that's nice. And they gonna keep callin' and tryin', but you stay right, girl. And when you get on, he'll leave yo' [MUTED] for a white girl.
Get down, girl, go 'head, get down. Get down, girl, go 'head, get down. Get down, girl, go 'head. Let me hear that back.
[APPLAUSE]
Stephanie Laginestra.
[APPLAUSE]
[MUSIC - LED ZEPPELIN - "WHEN THE LEVEE BREAKS"]
[MUSIC - XPRESSO - "SUNFLOWER]
[APPLAUSE]
Caley Drooff.
[APPLAUSE]
[MUSIC - PRYDA - "MIAMI TO ATLANTA"]
[APPLAUSE]
Katie Williams.
[APPLAUSE]
[MUSIC - THE CINEMATIC ORCHESTRA AND THE LONDON METROPOLITAN ORCHESTRA - "ARRIVAL OF THE BIRDS]
Level one-- gender roles, masculinity versus femininity.
[MUSIC - BLOOD ORANGE - "DESIREE]
(SINGING) Later because of the fact that we're waiting for the working girls to get there.
And what is it those girls are doing?
Well, they're making money for the balls and they're making their costumes, their outfits, or, you know, getting [INAUDIBLE].
[INAUDIBLE]
Dance 'cause it's your thing. Say that you got time for two. This is me in New York. Desiree.
Is anyone your friend? Or lovers that turn up at two. I cannot stay in New York. Desiree.
Can you really think it's fine or cool when you're still on your go? Maybe it's a chance for me to go and finally be alone. Can you really think it's fun or cool when you're still on the go? Maybe it's a chance for me to go and finally be alone.
Desiree.
Desiree.
Desiree.
Desiree.
Desiree.
Later because of the fact that we're waiting for the working girls to get there.
And what is it those girls are--
[INAUDIBLE]
Desiree.
Desiree.
[MUSIC - BETH CARVALHO - "FECHEI A PORTA"]
[NON-ENGLISH SINGING]
[APPLAUSE]
[MUSIC - GESAFFELSTEIN - "DESTINATIONS"]
Level three-- Julia DeNey.
[APPLAUSE]
[MUSIC PLAYING]
Level two-- the golden age.
[APPLAUSE]
SPEAKER 2: You can't repeat the past.
SPEAKER 3: Can't repeat the past?
SPEAKER 2: No.
SPEAKER 3: Why, of course you can. Of course you can.
[MUSIC - TACO - "PUTTIN' ON THE RITZ"]
(SINGING) When you don't know where to go to, why don't you go where fashion sits? Puttin' on the ritz. Different types who wear a day coat, pants with strips and cutaway coat, perfect fits, puttin' on the ritz.
Dressed up like a million dollar trooper. Trying hard to look like Gary Cooper. Super duper.
Come, let's mix where Rockefellers walk with sticks or umbrellas in their mitts. Puttin' on the ritz.
Have you seen the well-to-do up and down Park Avenue on that famous thoroughfare with their noses in the air? High hats and arrow collars, white spats and lots of dollars, spending every dime for a wonderful time.
If you're blue and you don't know where to go to, why don't you go where fashion sits? Puttin' on the ritz.
Different types who wear a day coat, pants with stripes and cutaway coat, perfect fits. Puttin' on the ritz.
Dressed up like a million dollar trooper. Tryin' hard to look like Gary Cooper. Super duper.
Come, let's mix where Rockefellers walk with sticks or umbrellas in their mix. Puttin' on the ritz.
Dress up like a million dollar trooper. Tryin' hard to look like Gary Cooper. Super duper. If you're blue and you don't know where to go to, why don't you go where fashion sits? Puttin' on the ritz. Puttin' on the ritz. Puttin' on the ritz. Puttin' on the ritz.
Downtown. Uptown. Get your kicks at the ritz. Dine and wine, but not till nine. The time is right for us tonight. We can move. Move to do the rhythm. We can move.
Dance to the rhythm nice and easy. I want you to move. Put it on and puttin' it on. And puttin' it on, and puttin' it on, the R-I-T-Z. How about you and me, says.
Got to dance. Got to dance. Got to dance.
[MUSIC - KNOX HILL FEATURING SNIPZY - "DRAGONBLADE"]
[INAUDIBLE]
SPEAKER 4: Well, that takes care of our nightlife.
[MUSIC - TACO - "PUTTIN' ON THE RITZ"]
If you're blue and you don't know where to go to, why don't you go where fashion sits? Puttin' on the ritz.
Different types who wear a day coat, pants with stripes and cutaway coat, perfect fits. Puttin' on the ritz. Dress up like a million dollar--
PAUL RUSSELL: Level four-- Margaux Neborak.
[APPLAUSE]
[MUSIC - THE TEMPER TRAP - "SWEET DISPOSITION]
(SINGING) A moment, a love, a dream aloud, a kiss, a cry, our rights, our wrongs. A moment, a love, a dream aloud. A moment, a love, a dream aloud.
So stay there 'cause I'll be coming over. And while our blood's still young, it's so young. It runs and won't stop till it's over. Won't stop to surrender.
[MUSIC PLAYING]
[MUSIC - DUA LIPA FEATURING MIGUEL - "LOST IN YOUR LIGHT (THROTTLE REMIX)"]
(SINGING) Light, baby. Light, baby. Light, baby. Light, baby. Light, baby. Light, baby. Light, light, light, light, light, light, light. Let's get--
Let's get lost all night, all night [? long. ?] All night, all night long.
Let's get lost in your light, baby. I wanna stay right here all night, baby.
All--
Now everything's--
[MUSIC - ZEDD - "CLARITY"]
(SINGING) I dive into frozen waves where the past comes back to life. Fight fear for the selfish pain. It was worth it every time. Hold still right before we crash 'cause we both know how this ends. Our clock ticks till it breaks your glass and I drown in you again.
'Cause you are the piece of me I wish I didn't need. Chasing relentlessly. Still fight and I don't know why. If our love is tragedy, why are you my remedy? If our love's insanity, why are you my clarity? If our love is tragedy, why are you my remedy? If our love's insanity, why are you my clarity?
[MUSIC - AVICII - "LEVELS"]
(SINGING) Oh, sometimes I get a good feeling, yeah. Get a feeling that I never, never, never, never had before. I get a good feeling, yeah. Oh, sometimes, I get a good feeling, yeah.
[APPLAUSE]
Mia Campolo.
[APPLAUSE]
[MUSIC - SLEIGH BELLS - "RIOT RHYTHM"]
(SINGING) Dear heart, don't stop fighting. Prepare, ride the lightning. It's like heart-heart-heartbeat. Just like banging rhythm.
Dear heart, don't stop fighting. Prepare, ride the lightning. It's like heart-heart-heartbeat. Just like banging rhythm. You've gotta march.
Dear heart, don't stop fighting. Prepare, ride the lightning. It's like heart-heart-heartbeat. Just like banging rhythm. You've gotta march. You've gotta march.
[MUSIC - BICEP - "GLUE"]
Cassidy Lewis.
[APPLAUSE]
[MUSIC - ODESZA FEATURING PY - "ECHOES"]
(SINGING) Underneath the moonlight watch it invade me. No need to feel worried. I'm all at ease. It's echoed in my voice. Oh, slow, touchdown. You're grounded. Misguided in the colors rainbow phase, oh sunlight haze.
Underneath the moonlight, watch it invade me. I'm overpowered by relentless beauty, beauty. It's echoed in my voice. Oh, slow, touchdown. You're grounded. Misguided in the colors rainbow phase, oh sunlight haze.
[MUSIC - ODESZA FEATURING ZYRA - "IT'S ONLY"]
Gina Mun.
[APPLAUSE]
[MUSIC PLAYING]
SPEAKER 5: In the waters off Key West, Florida tonight, the barge, that garbage barge which has been unsuccessfully seeking a home for almost a month and a half now.
SPEAKER 6: The barge has become a symbol of the growing garbage crisis in America.
[? [MUSIC - "BY THE TIME I GET TO PHOENIX"] ?]
(SINGING) She'll laugh when she reads the part that says I'm leavin' 'cause I've left that girl so many times before.
[MUSIC - TIMBER TIMBRE - "SINCERELY, FUTURE POLLUTION"]
(SINGING) Smoke rainbow. A halo out. A UFO light. A high glam. And a lazy song of Sarah's smile. A custodian in love. The blue steel power and the tower of solution. Signed and sealed, sincerely, the pollution. From a holiday on a holiday noon on a holiday daily, oh, holiday daily.
[MUSIC - EARL SWEATSHIRT - "HOARSE"]
(SINGING) Nigga, cold is what you need to keep the poultry in resulting in me rolling slick as bottom of the bowling kicks. Early, man, you posers know me as a troll throwing moldy donut holes at your grody ho from his cronies' whip. Eating like the kids when you take 'em off Ritalin. Throwing temper tantrums at the window of your whip again. Sweeping up the glass to use it as a garnish over tracks damaged like the leg he limping to the barn with. Chickenshits. Temper 'bout as thick as tips of pencils is. Missiles to the picket fence. Who spit as good as fingerlickin' bitch. Bet it's 36 fish netted like the hook was inefficient.
And it always follows Autumn. There's no home for the weak. No insurance for your pride. Jive. Jive. It always follows autumn.
Joyce Bao.
[APPLAUSE]
[MUSIC - HAROUMI HOSONO - "EXOTIC DANCE (YELLOW MAGIC ORCHESTRA)"]
[MUSIC - KID FRANCESCOLI - "LES VITRINES"]
[NON-ENGLISH SINGING]
[MUSIC - A R I Z O N A - "FREAKING OUT"]
(SINGING) Lately, right now I feel like it's all over 'cause I been trapped inside my head for so long. I'm sorry. I should've called when I was sober. Some days I get scared to be alone.
I, I'm blacking out. And I can't help it. I, I scream and shout. And I can't help it. Sleeping with the light on every night. I can't stand my bedroom. I put blankets on the couch. Whoa, it's killing me. I'm burning up inside. Whoa, I'm a mess right now and I'm just freaking out. I'm seeing sounds. I'm freaking out.
[VOCALIZING]
I'm freaking out.
[VOCALIZING]
I'm freaking out.
It's stupid, but I'm better off and I'll stay quiet 'cause I pushed away all the ones that hold me close. I'm losing my mind, oh yeah. I just can't take it, no. I'm in the corner, yeah. I'm bleeding on the road.
Whoa, I, I'm blacking out. I can't help it. I, I scream and shout. And I can't help it. Sleeping with the light on every night. I can't stand my bedroom. I put blankets on the couch. Whoa, it's killing me. I'm burning up inside. Whoa, I'm a mess right now, and I'm just freaking out. I'm seeing sounds. I'm freaking out.
[VOCALIZING]
NARHEE KIM: OK, so we want to take a moment to thank our faculty advisor, Professor Jooyoung Shin and Kimberly Phoenix. Please welcome them to the stage.
[APPLAUSE]
CALEY DROOFF: Now we would like to invite our MC, Paul Russell, to the stage to recognize our raffle winners.
[CHEERING]
PAUL RUSSELL: All right. And our raffle winners are Mr. Wang-- you didn't put your first name-- Pat G., Karen Wang, John V. [INAUDIBLE], Karen Wang, Pat G., Mr. Wood, Mr. Wang again, Karen Wang, Kim [INAUDIBLE], and [INAUDIBLE] Kang. Thanks.
[APPLAUSE]
JOYCE BAO: After the show, please come to the stage if you're a raffle winner. If you would like to greet designers or models, feel free to come backstage after the show.
NARHEE KIM: Thank you so much for coming tonight. We hope you enjoyed the 35th annual Cornell Fashion Collective runway show, and have safe travels home.
[MUSIC - DEJ LOAF - "NO FEAR"]
[INAUDIBLE]
The Cornell Fashion Collective is a student-run organization that provides members of the Cornell community with an outlet to express creativity in fashion and fashion management. Each spring, the organization presents a professional runway show featuring the talent of students who both design apparel and manage the operations of the show.
